After studying film-making at the Conservatoire Libre du Cinema Francais, Olivier Camen starts his career in the broadcasting world and realising set designs. He then moves to textile decoration, which will be the basis of his art when he becomes full time artist.
In his words,
“I work on memory, either individual (La Robe Couleur du Temps) or collective (Memoires, Le Bruit de la Soie)
Whatever the subject is, it needs to echo my own story. I have a strong link with images, and this is probably why I always start off with a photograph, usually in black and white.
Technically, I enlarge a document and print it on canvas. The change of scale reveal details which were until then invisible to the eye. I start putting colour to the document, and “dream” it. I begin a process whereby I appropriate it to myself.
Then comes the embroidery work, with thread and needle, which is a way to create a new intimate dimension with the image, and to establish a dialogue between past and present.
When I was a child, I would spend hours watching my grand mothers embroidering. Time seemed to stand still…
To embroider is like drawing, one works with lines.
Whatever the subject, I simply try to evoque, intuitively. I try to disappear behind the subject, to let my work touch the viewer.”
“Le Bruit de la Soie, 17 fois Maria Callas” Galerie Yves Faurie, Sete
“Memories” Galerie Yves Faurie, Sete
“La Robe couleur du Temps” video installation in Montpellier
“Entre Ciel et Mer” Galerie Basia Embiricos, Paris
“A Woman’s Tales” Galerie Yves Faurie, Sete
“Se souvenir des Jolies Choses”
“Photo Off” Paris (November)
“Chic Art and Fair” Paris, Galerie Basia Embiricos (October)
“Aide Individuelle a la Creation de la Drac Languedoc-Rousillon, for the “Robe Couleur du Temps”
From the series “Entre Ciel et Mer” by the Hotel de Paris, Sete
55 HOLLYWOOD ROAD, LONDON SW10 9HX
+44 (0)20 7352 2772
JOIN OUR MAILING LIST